Post by French Mystique Tours on Feb 14, 2011 18:48:35 GMT 1
Saint-Maur-des-Fossés lies just southeast of Paris and makes a great starting point for anyone seeking an easy, tranquil and scenic bike ride along the banks of The Marne river as far as Noisiel. The journey begins in the La Varenne section of Saint-Maur. Now that I've given you the introduction let's start with the pictures.
The above photos give you a pretty good idea of what your trip through Saint-Maur will offer in terms of scenery. Now let's move on to a bit of the historical side of Saint-Maur. The oldest section of Saint-Maur is known as Le Vieux Saint-Maur. Our first stop here brings us to The Abbey of Saint-Maur. The abbey was founded in 639 by the queen Nanthilde, making it one of the oldest abbeys in France. Here are a few photos.
The abbey was sacked and rebuilt several times throughout its history before it was ordered to be demolished sometime shortly after 1750. My favorite feature in the abbey grounds has no sign pointing to its location and nothing to even hint at its existence but in the far rear right corner and high up on the hill sits a piece of pre-historic history in the form of a menhir (or a standing stone in laymans terms). For those unfamiliar with menhirs, they are large slabs of stone set in the ground in an erect position. They were built in the neolithic period (roughly 4,500BC to 1,500BC) and are assumed to have had some sort of ceremonial significance. There is no widely accepted archaeological theory as to their precise purpose but there are several theories. The menhir has been removed from its original position due to vandalism but this has done nothing to prevent the vandals from continuing to scribble away on this once revered stone.
What amazes me about this menhir is that it survived, as a pagan monument, in the midst of the most Christian of places for centuries. There must have been some pretty deeply rooted legends among the locals that prevented its removal by the monks of the abbey. No doubt at some point it was likely Christianized and the original pagan legends were adapted to Christianity. The earliest Christian churches were usually built right on top of previously utilized pagan sacred space as a way of sanctifying the grounds without alienating local tradition by keeping intact its ceremonial function. I'm a huge fan of megaliths and archaeology but I'll save that for another post, maybe Brittany. Just a few meters from the abbey is the place of Le Vieux Saint-Maur. You'll notice the medieval church, dated to the 13th century but likely originally built prior to the 10th or 11th century. A hodge podge of romanesque, early gothic and modern renovation in style.
Inside the church is another little piece of history. There are some great story boards inside the church detailing its history as well as the history of several saints, including the history of Saint Nicholas, the saint from which the church derives its name (Eglise Saint Nicolas). I now know why Saint Nicholas (Saint Nick) is associated with children. The legend is (in brief) that once upon a time there was a nasty local butcher who, upon running low on meat provisions, decided the local children would be an appropriate substitute (and you thought substituting Splenda for sugar was a tasteless alternative). He lured three little boys into his store and cut them up. Saint Nicholas appeared and saying the magic words (?abra cadabra?) reassembled the children. No long post-op rehabilitation needed here, just a few simple words and the children went merrily on their way. But that's not all this church has to offer. In the back right corner of the church is a wooden sculpture of The Virgin Mary in polychrome paint. Now there are signs in the church and in the abbey grounds that give conflicting versions of how this statue came to be but I'll give you the short version where both stories intersect.
The statue was either carved in 1069AD (church story) or at the end of the 12th century (abbey story). Apparently the sculptor was working on the statue when he was either A) called by his master (church story) or B) heard voices calling him outside (abbey story). In any case, upon his return the statue was miraculously completed. Thus the church became widely known and visited by the faithful and was an important stopover on the pilgrimage trail to Santiago de Compostela, reaching its high point at the end of the 13th century. Large annual pilgrimages from Paris continued for centuries up until the revolution.
Adjacent to the church is a prominent brick building that was featured in the Jacques Tati film Mon Oncle, however, the facade was redecorated in the film so you wouldn't notice it if you were watching the film.
And just across from the church is a small park with these statues made in homage to the film.
The above photos give you a pretty good idea of what your trip through Saint-Maur will offer in terms of scenery. Now let's move on to a bit of the historical side of Saint-Maur. The oldest section of Saint-Maur is known as Le Vieux Saint-Maur. Our first stop here brings us to The Abbey of Saint-Maur. The abbey was founded in 639 by the queen Nanthilde, making it one of the oldest abbeys in France. Here are a few photos.
The abbey was sacked and rebuilt several times throughout its history before it was ordered to be demolished sometime shortly after 1750. My favorite feature in the abbey grounds has no sign pointing to its location and nothing to even hint at its existence but in the far rear right corner and high up on the hill sits a piece of pre-historic history in the form of a menhir (or a standing stone in laymans terms). For those unfamiliar with menhirs, they are large slabs of stone set in the ground in an erect position. They were built in the neolithic period (roughly 4,500BC to 1,500BC) and are assumed to have had some sort of ceremonial significance. There is no widely accepted archaeological theory as to their precise purpose but there are several theories. The menhir has been removed from its original position due to vandalism but this has done nothing to prevent the vandals from continuing to scribble away on this once revered stone.
What amazes me about this menhir is that it survived, as a pagan monument, in the midst of the most Christian of places for centuries. There must have been some pretty deeply rooted legends among the locals that prevented its removal by the monks of the abbey. No doubt at some point it was likely Christianized and the original pagan legends were adapted to Christianity. The earliest Christian churches were usually built right on top of previously utilized pagan sacred space as a way of sanctifying the grounds without alienating local tradition by keeping intact its ceremonial function. I'm a huge fan of megaliths and archaeology but I'll save that for another post, maybe Brittany. Just a few meters from the abbey is the place of Le Vieux Saint-Maur. You'll notice the medieval church, dated to the 13th century but likely originally built prior to the 10th or 11th century. A hodge podge of romanesque, early gothic and modern renovation in style.
Inside the church is another little piece of history. There are some great story boards inside the church detailing its history as well as the history of several saints, including the history of Saint Nicholas, the saint from which the church derives its name (Eglise Saint Nicolas). I now know why Saint Nicholas (Saint Nick) is associated with children. The legend is (in brief) that once upon a time there was a nasty local butcher who, upon running low on meat provisions, decided the local children would be an appropriate substitute (and you thought substituting Splenda for sugar was a tasteless alternative). He lured three little boys into his store and cut them up. Saint Nicholas appeared and saying the magic words (?abra cadabra?) reassembled the children. No long post-op rehabilitation needed here, just a few simple words and the children went merrily on their way. But that's not all this church has to offer. In the back right corner of the church is a wooden sculpture of The Virgin Mary in polychrome paint. Now there are signs in the church and in the abbey grounds that give conflicting versions of how this statue came to be but I'll give you the short version where both stories intersect.
The statue was either carved in 1069AD (church story) or at the end of the 12th century (abbey story). Apparently the sculptor was working on the statue when he was either A) called by his master (church story) or B) heard voices calling him outside (abbey story). In any case, upon his return the statue was miraculously completed. Thus the church became widely known and visited by the faithful and was an important stopover on the pilgrimage trail to Santiago de Compostela, reaching its high point at the end of the 13th century. Large annual pilgrimages from Paris continued for centuries up until the revolution.
Adjacent to the church is a prominent brick building that was featured in the Jacques Tati film Mon Oncle, however, the facade was redecorated in the film so you wouldn't notice it if you were watching the film.
And just across from the church is a small park with these statues made in homage to the film.